A marketing team, always in your pocket

Drop in your website. GNR8 learns your brand, then makes your posts, images, videos and newsletters, ready for you to check and post.

Tell it what you need

This is how you ask for it

Type what you want, or tap an idea. GNR8 makes it in your brand.

app.gnr8.online
Sample

MORNING, SAM

What are we making today?

Your marketing manager makes these for you, automatically

Tap Approve and it goes out on your social channels.

Phone FrameInstagram carousel

Check your cash position first thing

Status: Ready
Phone Frame9:16 Video

A presenter, on camera

Video ready
Laptop FrameNewsletter
A newsletter

This week: what our customers asked

Draft ready
Feed FrameLinkedIn post
A LinkedIn post about sales teams and buying committees

How AI can help sales teams map buying committees

Post ready

What it makes

Made from your real business, not a template. Find something you like.

Video ad
Published to Facebook
Facebook post
Avatar video
Paid social and search
Ad
Cinematic
Published to LinkedIn
LinkedIn post
Carousel
Subscriber email
Newsletter
Avatar video
Video ad
A how-to, slide by slide
Guide
Cinematic
Branded, two sizes
Product sheet
Avatar video

Widescreen films

Press play for sound. Open a prompt to see exactly what was asked for.

Helicopter rescue

A helicopter rescue, made as an ad.

terminalSee the prompt
PART ONE

Generate a 15-second landscape 16:9 photorealistic live-action video with native synchronized sound.
CONCEPT
A high-intensity cinematic rescue sequence set inside a flooded modern city. This is Part One of a two-part sequence.
SUBJECTS
A matte-black civilian rescue helicopter with a distinctive narrow red stripe around its nose. No writing, logos, symbols or identification markings anywhere on the aircraft.
Mara (S1) is the helicopter pilot, a capable Australian woman in her late thirties with dark hair tied back, a black flight suit and aviation headset.
Eli (S2) is a male rescue specialist in his early forties with short brown hair, light stubble, an olive-green tactical jacket, black harness and black gloves.
A stranded woman (S3) in a bright yellow raincoat stands on the roof of a partially submerged city bus.
Maintain the same helicopter, clothing and faces throughout this generation.
ACTION AND TIMING
0-3 SECONDS
Begin inches above violently surging floodwater between glass skyscrapers. The black helicopter races directly toward camera, then banks hard at the final moment. Its rotor wash tears patterns across the water and throws spray toward the lens.
3-6 SECONDS
The camera accelerates alongside the helicopter in a fast lateral tracking shot. Below, cars and street furniture tumble through the flood. The helicopter threads narrowly beneath a damaged pedestrian bridge as debris falls behind it.
6-10 SECONDS
Move inside the open helicopter door. Eli clips his harness to the cabin and steps onto the landing skid. Ahead, the stranded woman in the yellow raincoat waves from the roof of the moving, partially submerged bus. The helicopter descends toward her while the bus is pulled toward a flooded underpass.
10-13 SECONDS
Cut to a low water-level tracking shot. The helicopter skims above the flood beside the bus. Eli reaches down as the woman jumps upward. Their hands come within centimetres of touching.
13-15 SECONDS
A huge wave created by a collapsing building strikes between them. White water explodes upward and completely fills the camera. End with the entire frame obscured by bright churning spray, with no helicopter, people or buildings visible.
CAMERA
Fast cinematic tracking, low water-level angles, one brief interior perspective and controlled action-film cuts. Strong forward momentum throughout. Avoid random camera spinning. Every cut must continue movement in the same left-to-right direction.
LIGHTING
Late-afternoon storm light. Warm sunlight breaking between dark clouds, reflections across the water, realistic volumetric mist and wet surfaces.
STYLE
Large-scale modern action film, physically believable helicopter movement, realistic people, restrained teal-and-gold colour grade, subtle 35mm texture, practical-looking water and debris. Exciting and premium, not cartoonish or game-like.
ENDING FRAME
The frame is completely filled with bright white turbulent water and mist. Hold the white water across the final eight frames to create a concealed transition into Part Two.
OVERALL SOUNDSCAPE
Powerful helicopter rotors, turbine engine, rushing water, creaking structures, distant emergency sirens and debris impacts. No speech and no other voices.
NON-DIEGETIC MUSIC
Fast cinematic percussion with low brass pulses and rising strings. Music builds throughout but stops on a single deep impact when the wave fills the screen.
VISUAL RESTRICTIONS
No visible text, subtitles, captions, numbers, logos, brand marks, watermarks, aircraft markings or interface graphics. No additional helicopters. No weapons, military uniforms or explosions. Do not change the colour or design of the helicopter.

----------

PART TWO

Generate a 15-second landscape 16:9 photorealistic live-action video with native synchronized sound.

CONCEPT

A high-intensity cinematic flood rescue. This is Part Two and begins inside the wall of water that ended Part One.

SUBJECTS

A matte-black civilian rescue helicopter with a distinctive narrow red stripe around its nose. No writing, logos, symbols or identification markings anywhere on the aircraft.

Mara (S1) is the helicopter pilot, an Australian woman in her late thirties with dark hair tied back, a black flight suit and aviation headset.

Eli (S2) is a male rescue specialist in his early forties with short brown hair, light stubble, an olive-green tactical jacket, black harness and black gloves.

A rescued woman (S3) wears a bright yellow raincoat.

Maintain the same helicopter, clothing and faces throughout this generation.

ACTION AND TIMING

0-2 SECONDS

Begin with the entire frame obscured by bright white turbulent water and mist. The sound of helicopter rotors is already present. The spray moves rapidly past camera from right to left.

2-5 SECONDS

The black helicopter bursts dramatically through the water curtain. Eli is hanging securely from the open door harness with one arm around the woman in the yellow raincoat. Water streams from their clothes as the helicopter climbs.

5-8 SECONDS

Move inside the cabin in one rapid camera movement. Eli pulls the woman safely onto the floor. Mara looks back briefly, sees they are aboard, then pushes the control stick forward.

8-12 SECONDS

Cut outside. The helicopter dives between two towers just before another wall of floodwater crashes through the street behind it. It banks tightly around a glass building, missing the corner by metres as water and debris explode through the space it just occupied.

12-15 SECONDS

The helicopter climbs above the cloud layer into warm sunrise. The violent sound drops away. Through the open door, Eli and the rescued woman sit safely inside, catching their breath. End on a steady wide shot of the helicopter flying toward the sunrise.

CAMERA

Start completely hidden in water. Reveal the helicopter through forward movement. Use clear action geography, strong left-to-right travel and no arbitrary direction changes. Finish with a smooth stabilised aerial pullback.

LIGHTING

Begin in cold storm light and transition naturally into warm golden sunlight above the clouds. Realistic reflections, water droplets and atmospheric depth.

STYLE

Large-scale modern action film, realistic helicopter physics, believable water interaction, human emotion and premium visual effects. Restrained teal-and-gold grade, subtle 35mm texture. Not cartoonish, glossy or game-like.

ENDING FRAME

Wide rear three-quarter view of the same matte-black helicopter with the narrow red nose stripe flying steadily toward a warm sunrise above the clouds.

OVERALL SOUNDSCAPE

Begin with deafening water and helicopter rotors. Include wet clothing, harness movement and cabin vibration. The storm gradually falls away as the helicopter rises above the clouds.

NON-DIEGETIC MUSIC

Continue the same urgent percussion and brass rhythm implied by Part One. At twelve seconds, transition into a sustained emotional string chord as the helicopter reaches safety.

VISUAL RESTRICTIONS

No visible text, subtitles, captions, numbers, logos, brand marks, watermarks, aircraft markings or interface graphics. No dialogue. No additional helicopters. No weapons, military imagery or explosions. Do not change the helicopter’s colour or design.

Tame the jungle

A vertical ad for phones, captions burned in. Press play for sound.

Running shoe

A shoe builds itself from thread, foam and copper, then hits the street at dawn.

terminalSee the prompt
Generate a 15-second landscape 16:9 photorealistic luxury product commercial with native synchronized sound.

CONCEPT

A premium unbranded running shoe is assembled from natural forces in one elegant continuous visual transformation.

PRODUCT

A single modern running shoe with a deep charcoal knitted upper, sculpted white foam sole, copper-coloured eyelets and black laces. There are no logos, words, symbols, numbers or brand markings anywhere on the shoe.

Preserve exactly the same shoe design once it has formed.

ACTION AND TIMING

0-3 SECONDS

Begin with an extreme macro view of thousands of charcoal fibres suspended in darkness. A pulse of air travels through them and the fibres twist together into strong knitted threads.

3-6 SECONDS

The threads sweep across a black studio surface and weave themselves into the upper of the running shoe. Copper droplets rise from the surface, cool instantly and form the eyelets. The camera glides closely beside the assembly.

6-9 SECONDS

A wave of white liquid foam flows beneath the knitted upper and expands into the sculpted sole. Black laces whip through the eyelets in one precise continuous movement and tighten themselves.

9-12 SECONDS

The completed shoe drops gently onto a rain-wet city street at night. The moment the sole touches the ground, the environment transitions from the dark studio into a real city before dawn.

12-15 SECONDS

A runner’s foot enters the shoe and pushes off. Track beside the shoe for three powerful running strides through shallow water, capturing realistic compression of the sole and droplets frozen in warm sunrise light. End with the shoe briefly suspended in mid-stride against the rising sun.

CAMERA

Begin with controlled macro cinematography. Perform one slow orbital movement during assembly, followed by a seamless transition into a low lateral tracking shot. Product always remains sharp and physically consistent.

LIGHTING

Black studio with narrow copper edge lighting. Transition into cool predawn street light and finish with warm sunrise backlighting through water droplets.

STYLE

Luxury sports advertising, photorealistic materials, precise product cinematography, restrained colour palette and believable physics. Elegant, tactile and powerful. No magical glowing energy, science-fiction interfaces or cartoon effects.

OVERALL SOUNDSCAPE

Individual fibres tightening, fine metallic clicks, liquid foam movement, laces pulling through eyelets, shoe impact, wet footsteps and controlled breathing.

NON-DIEGETIC MUSIC

Minimal electronic rhythm built from the sounds of the shoe assembling. A deep bass pulse begins when the runner pushes off.

VISUAL RESTRICTIONS

No visible text, numbers, logos, symbols, brand marks, watermarks, subtitles, captions or readable signs. Only one shoe is featured until the runner’s foot enters it. Do not change its colour, sole shape, materials or design after assembly.

One walk, four careers

One woman, one unbroken walk: office, kitchen, hospital, spacecraft.

terminalSee the prompt
Generate a 15-second landscape 16:9 photorealistic live-action video with native synchronized sound.

CONCEPT

One ordinary person walks through a continuous corridor while the world, clothing and profession transform seamlessly around her. Every transformation happens visibly in the same unbroken shot.

SUBJECT

Mia (S1) is an Australian woman, 32 years old, with shoulder-length dark curly hair, expressive brown eyes and natural realistic skin. She begins wearing simple black trousers, white sneakers and a plain cream shirt.

Her face, body, hair and age remain completely consistent through every transformation. Only her clothing, surroundings and activity change.

ACTION AND TIMING

0-3 SECONDS

Mia walks confidently toward camera through a plain grey office corridor. The camera tracks backward at her walking speed. She carries an ordinary closed notebook.

3-6 SECONDS

As she passes through a curtain of drifting steam, the office transforms around her into a busy commercial kitchen. Her cream shirt seamlessly becomes a chef’s jacket. The closed notebook transforms into a metal serving tray in her hands. She keeps walking at exactly the same pace.

6-9 SECONDS

She pushes through two swinging kitchen doors. During the movement, the kitchen transforms into a bright hospital corridor. Her chef’s jacket becomes teal medical scrubs and the tray becomes a medical tablet with no visible screen content. Nurses move naturally in the distant background.

9-12 SECONDS

She walks through a pool of strong blue light. The hospital transforms into the interior of a spacecraft observation deck. Her scrubs become a practical white astronaut flight suit with no patches, symbols or writing. Earth becomes visible through the large window behind her.

12-15 SECONDS

Mia stops at the observation window and turns toward Earth. The camera moves past her shoulder and reveals that the city lights on Earth resemble connected points in a living network. End on her small reflection in the glass, still recognisably the same woman.

CAMERA

One uninterrupted forward-facing tracking shot. The camera moves backward smoothly while Mia walks toward it. No cuts, no whip pans, no sudden zooms. Transformations are caused by physical objects already in the scene: steam, doors and blue light.

LIGHTING

Natural office lighting transitions into warm kitchen light, clean hospital daylight and cool spacecraft illumination. Preserve realistic light on Mia’s face during every transition.

STYLE

Premium cinematic realism with grounded production design. Seamless practical-looking transformations, emotionally uplifting and visually surprising. Real skin, real fabric and realistic background people. Not fantasy animation and not a music video.

OVERALL SOUNDSCAPE

Her footsteps remain continuous and provide the transition rhythm. Office ambience becomes kitchen activity, then hospital ambience, then the quiet mechanical hum of a spacecraft.

NON-DIEGETIC MUSIC

Minimal electronic pulse that gains one new musical layer with each transformation. Finish with a warm orchestral swell when Earth is revealed.

VISUAL RESTRICTIONS

No visible text, numbers, signage, logos, brand marks, subtitles, captions, watermarks, readable screens or uniform patches. Do not alter Mia’s face, age, hair or body. Do not introduce duplicate versions of Mia.
How it works expand_more
01 Input

Enter your website

Paste your website address. That is it.

Typing a website address into the GNR8 growth report box
02 Analysis

GNR8 learns your brand

Your tone, what you sell and who buys from you.

GNR8 reading back the business name and what the business does
03 Creation

Pick what to make

Choose posts, carousels, videos or a newsletter.

auto_awesome_motion [Placeholder - Pick What To Make Screenshot] Post • Video • Newsletter
04 Review

Check it and post it

Read it, change what you like, approve it. It goes out on your channels.

The GNR8 library with posts and videos marked ready

Your growth report

See your business the way your buyers do. Takes a couple of minutes.

Analyse your website

Enter your website. GNR8 reads it, works out who buys from you, looks at your competitors and suggests what to post.

https://
GNR8 GROWTH REPORT
Sample High Confidence
01 Your brand Voice
Analytical Direct Experienced

The brand speaks in plain language and treats problems as things that can be diagnosed and fixed.

02 Your buyers Best fit
Owner-led businesses

Owners who want steady posting without spending their evenings writing it.

Growing service firms

Small teams that need a weekly rhythm of content but have no marketer.

03 Competitors Your market
ModerateCompetition
3Direct competitors
4Similar businesses

Edit your videos

Trim, reorder and caption your clips before they go out.

Video editor
Sample
CLIP 1
play_circle [Placeholder - Editor Loop]

Your caption goes here

Get your growth report

Enter your website. See how your buyers see you, and what to post next.